Looks aren’t everything, or so the cliché goes.
Public perception of Indigenous people is regulated to aid the American cultural narrative. The result is a strategically fashioned idea of the United States as existing in an untainted present state. This produces a notion of endless growth and opportunity, leaving behind stories of past genocide that nonetheless continue to burden Indigenous groups.
The Hollywood Industrial Complex produces deceptive cultural products that glorify war and lure the American public into supporting their government’s imperialist agenda. Films funded by the DOD not only anesthetize violence, but create a narrative that justifies it through plot lines, characters, and scenes that alienate American “enemies” and offer single-sided reasoning for military presence abroad
Recent revelations of pervasive surveillance, sharp rises in cyberattacks, and non-disclosure of vulnerabilities in consumer products render former policy insufficient. They also compel us to question what steps to take towards a better internet – one that is secure, sensitive to privacy, and accessible to all.
[women vote for the first time in 1963]
The Iranian Revolution of 1979 defies reductive categorization. Third Worldist, Islamic Marxist and radical Shi’i ideologies converged and proliferated throughout Iranian society during the movement to end the autocracy of Mohammad Reza Shah Pahlavi. These factions developed and disseminated radical political ideas reflecting socio-economic and cultural grievances that emphasized themes of anti-Americanism in visual media.
My Facebook newsfeed was ablaze as I scrolled through countless posts ending in #Ferguson, #BlackLivesMatter, and #HandsUpDontShoot. Moments earlier, a Missouri court had ruled not to indict police officer Darren Wilson for the August 2014 shooting of Michael Brown, an unarmed young black man. Friends of mine had swiftly taken to the internet to voice their outrage, disgust, and demands for action. Within minutes of the decision, millions of similar posts had already surged across the Internet -- but the public outcry didn’t stop there.
The Gettysburg Address is not laced with expletives. When Abraham Lincoln delivered the speech on the eve of the namesake battle over one hundred years ago, he didn’t sprinkle in a few forbidden words for added emphasis. Instead, the lasting power of the speech lies in its precision, powerful brevity, and seamless eloquence.
In the opening of Eugene O'Neill's play The Iceman Cometh, two fishermen drunkenly discuss the value of the truth. "To hell with the truth!" one of them exclaims, "It's irrelevant and immaterial, as the lawyers say. The lie of a pipe dream is what gives life to the whole misbegotten mad lot of us, drunk or sober."
[Charlie Chaplin in The Great Dictator]
During the 2016 presidential election, people turned to satirical news television shows for coverage of the latest dramatic events impacting the campaign. Satire has long been revered as a powerful form of media with the ability to use humor to reveal imperfections and an underlying truth. However, as James Poniewozik observes in his article “Donald Trump is a Conundrum for Political Comedy” in The New York Times, Donald Trump’s larger than life public persona, cultivated by his preexisting celebrity and coaching for reality television has rendered him unspoofable
The history of immigration in the United States is long and storied. Like most stories, it is best told with words. But the words used to describe immigrants in America are not what one would expect from a nation founded on, built by, and dependent on immigration. In fact, the language used can be thoroughly degrading to the point of dehumanization.
In the recent elections, the rhetorical styles of the two major candidates were often juxtaposed, seen as representative of their broader aptitude for politics. And, there is no doubt that eloquent rhetoric has long been a mainstay of the democratic political system. Here at the Review, we selected Rhetoric as our guiding theme this month because we wanted to explore its changing paradigms, the ways in which its norms have evolved with the times, birthing a radically new political landscape.
Zuccotti Park was originally called Liberty Plaza Park. That’s an appropriate anecdote to begin this article for several reasons.
There are as many conceptions of what defines a city as there are cities. Our city, New York, invites such intense identification from its residents (particularly transplants, like most of us are) that the pursuit of becoming an authentic “New Yorker” has become a minor obsession. “I [heart] New York,” read the endless tee-shirts. But does New York love us back?