In the context of the capitalist marketplace, one can argue that the feminism projected in Bulletin’s retail setting is not feminism at all, but rather a combination of signs and a culmination of associations that suggest a depoliticized, but feminist-branded feel. The aesthetically pleasing products of Bulletin are powerful, however, because they provide consumers the language to think about social and political ideas, which consumers then use to construct and solidify their own decontextualized feminist identities.
The use of gendered language and rhetoric in the context of international soccer has resulted in the general international regard for women’s soccer as being secondary to men’s and trivialized in comparison. This undoubtedly has influenced general issues that exist in relation to sexism in the world of soccer and leads us to question how much inequality between the two genders remains within FIFA.
The Hollywood Industrial Complex produces deceptive cultural products that glorify war and lure the American public into supporting their government’s imperialist agenda. Films funded by the DOD not only anesthetize violence, but create a narrative that justifies it through plot lines, characters, and scenes that alienate American “enemies” and offer single-sided reasoning for military presence abroad
During the 2016 presidential election, people turned to satirical news television shows for coverage of the latest dramatic events impacting the campaign. Satire has long been revered as a powerful form of media with the ability to use humor to reveal imperfections and an underlying truth. However, as James Poniewozik observes in his article “Donald Trump is a Conundrum for Political Comedy” in The New York Times, Donald Trump’s larger than life public persona, cultivated by his preexisting celebrity and coaching for reality television has rendered him unspoofable
The Internet has wrapped us all in a cocoon of social media, drawing us closer to each other in ways unimaginable even a century ago. It allows us to marvel at the glory of ancient and faraway civilizations; reading their literature and gazing at their artwork provides a glimpse into the lives of our ancestors. But this globalization has not halted the irreversible destruction of our shared culture, as political movements like IS, the Taliban, and the 2003 U.S. invasion of Iraq make poignantly clear. Will we cherish the monuments of humanity’s creativity, and stop their demolition, or will we continue to allow usurping ideologies to trample on the only relics we can truly take pride in as a collective species?